search for something...

search for something you might like...

The Harder They Fall... Hell Yeah! Tim London digs the Netflix movie The Harder They Fall because you can see the cowboys for once

The Harder They Fall... Hell Yeah!

Tim London digs the Netflix movie The Harder They Fall because you can see the cowboys for once

by Tim London,
first published: November, 2021
The enjoyment is in the music-promo eye candy and the music sync and in the knowledge that this film actually exists.

The Harder They Fall (starstarstarstarstar_outline)
Director Jeymes Samuel
Starring Jonathan Majors Idris Elba Zazie Beetz Regina King Delroy Lindo Lakeith Stanfield & many more...

Streaming on Netflix

At that notorious crossroads in time, the end of the 1960s, the western movie genre was being wrestled away from the Marlboro-man, John Wayne cliche of bow legged vanilla-and-KKK styling that brought epic holocausts of dead Native Americans and the occasional appearance by an obliging Black woman as the slave/servant, happy to wash out her mistress’s undies or her master’s bullet wounds with nary a thought for herself.

The change introduced hippies to the west. Thoughtful gunslingers, unlikely heroes and a certain amount of realism when it came to hair and denim and hat-wear. But still and, pretty much ever since, the idea of a Black cowboy hero was seldom brought to the screen. We had 1972’s Buck and the Preacher, starring Sydney Poitier. And of course there was Blazing Saddles that understood the unlikely situation of a Black western hero (in the shape of Cleavon Little) enough to use it as pretty much the  central premise of the comedy. The Harder They Fall is the feast at the end of the famine.

Londoner, director Jeymes Samuel hooked up with Jay Z as producer to make this Netflix extravaganza as a deliberate counterweight to decades of dis-inclusion. There are estimates that Black men and occasionally women made up around thirty percent of the ‘cowboys’ during the 19th century, whether as slaves or subsequent to freedom. So that’s a heavy load, as there’ve been a shit load of westerns made, ever since DW Griffith rewrote the KKK as heroes in the first serious Hollywood western, Birth of a Nation in 1915 Black people have been either non-existant or caricatures in the genre.

The Harder They Fall, being a statement more than a historical document is probably just as inaccurate as any other Hollywood western. The shooting abilities and the consequent carnage, the miraculous recovery from intense beatings, the pitch-perfect singing by the ensemble in a saloon, none of it looks possible or realistic. The plot, also, could have been slapped together from any number of ten dime novels or the imaginations of young boys growing up in west London. But that doesn’t matter. Did Morricone’s twanging electric guitars sound any more authentic as they tracked Clint Eastwood than THTF’s hiphop and dancehall/reggae soundtrack? Was Randolph Scott’s neat short back and sides genuinely Victorian any more than the perfectly styled ‘fro worn by Regina King here? Were westerns of old any less entertaining because they just weren’t dirty, or ignorant enough, because the actresses always dressed with a nod to the decade the film was made in? Nope and neither is this film.

gang

Riding like a cantering horse thief across the rocks and sand of Nevada (?), this western takes you through one ridiculous scenario to another, expertly tweaking the senses, allowing just enough action to keep it juicy, just enough revenge and expectation to keep you onside. You know the baddy will die. You know there will be a twist on the level of a Bergerac episode at the climax. You know which of the interesting side kicks will be shot and you know which one won’t. It doesn’t matter. The enjoyment is in the music-promo eye candy and the music sync and in the knowledge that this film actually exists.

Is it time, finally, for there to be a stupid, violent western that only, mainly features a Black cast and for it to exist in its own right as stupid and violent and improbable. Hell, yeah!


Essential Info
The Harder They Fall streaming on Netflix now

Tim London

Tim London is a musician, music producer and writer. Originally from a New Town in Essex he is at home amidst concrete and grand plans for the working class. Tim's latest thriller, Smith, is available now. Find out more at timothylondon.com


about Tim London »»

john robinson week in outsideleft logo
The enjoyment is in the music-promo eye candy and the music sync and in the knowledge that this film actually exists.

OUTSIDELEFT Week in Music

view on youtube

RECENT STORIES

RANDOM READS

All About and Contributors

HELP OUTSIDELEFT

Outsideleft exists on a precarious no budget budget. We are interested in hearing from deep and deeper pocket types willing to underwrite our cultural vulture activity. We're not so interested in plastering your product all over our stories, but something more subtle and dignified for all parties concerned. Contact us and let's talk. [HELP OUTSIDELEFT]

WRITE FOR OUTSIDELEFT

If Outsideleft had arms they would always be wide open and welcoming to new writers and new ideas. If you've got something to say, something a small dank corner of the world needs to know about, a poem to publish, a book review, a short story, if you love music or the arts or anything else, write something about it and send it along. Of course we don't have anything as conformist as a budget here. But we'd love to see what you can do. Write for Outsideleft, do. [SUBMISSIONS FORM HERE]

outsideleft content is not for everyone