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Outsideleft Week in Music something something something edition We're hearing from...Nightingales, The Delines, Panda Bear & Cindy Lee, Patchwork, Isata Kanneh-Mason, Helen McCookerybook, Salami Rose Joe Louis, Smote, John Surman, Buried Realm, Red Clay Strays, Marshall Allen (with Nenah Cherry), Lonnie Holley, Go-Kart Mozart, Rusty Williams, Dean Wareham, Les Big Byrd, The Sure Fire Ensemble, Ingrid Laubrock, Rafiq Bhatia & Chris Pattishall, Amy 'Bingo' Bingaman, Pigsx7, The Jesus Lizard, Michael Hearst, Penny and the Quarters, The Selecter,  Roy Orbison, Wendy James and Thundercat

Outsideleft Week in Music something something something edition

We're hearing from...Nightingales, The Delines, Panda Bear & Cindy Lee, Patchwork, Isata Kanneh-Mason, Helen McCookerybook, Salami Rose Joe Louis, Smote, John Surman, Buried Realm, Red Clay Strays, Marshall Allen (with Nenah Cherry), Lonnie Holley, Go-Kart Mozart, Rusty Williams, Dean Wareham, Les Big Byrd, The Sure Fire Ensemble, Ingrid Laubrock, Rafiq Bhatia & Chris Pattishall, Amy 'Bingo' Bingaman, Pigsx7, The Jesus Lizard, Michael Hearst, Penny and the Quarters, The Selecter, Roy Orbison, Wendy James and Thundercat

by OL House Writer,
first published: January, 2025

approximate reading time: minutes

I have 'The New Emperor's New Clothes' on, on repeat. Missing appointments. Forgetting to put my eye drops in. Generally not taking care of myself. Wondering how they did it?

intro.

Hey! Welcome to the Outsideleft Week in Music. It's a big one with lots of tunes you'll see burning up your pop charts next week. Or something else. Great ones though. Thanks to all of our great reviewers for their great reviews this week. We've managed to cobble together over 30 bits of music for the third week in a row. Not like us to be so attentive. The guys who did this for you are...  Tim London (3), A.I. House-Painter (1), David O'Byrne (2), LamontPaul (4), Ancient Champion (5), Lee Paul (2), Ogglypoogly (1), Alan Rider (5), Jonathan Thornton (2), Richard John Walker (3) and Alex V. Cook (4)

singles.

ENDORSED

NIGHTINGALES
The New Emperor's New Clothes
(Fire Records)

by Ancient Champion

Oh well. This is thick. Meaty you might say.  Quite a totally astonishing wall of noise from beginning to end except for the part that isn't. From the forthcoming LP 'The Awful Truth' (is there any other kind?) which will be out from Fire Records in March. I have The New Emperor's New Clothes on, on repeat. Missing appointments. Forgetting to put my eye drops in. Generally not taking care of myself. Wondering how they did it? Like, I often have a pretty good idea about that stuff, but this is too beautifully blistering a sound for me to fully comprehend. Oh and the pretty viola just makes everything more swoon-ery. There's a spring tour I don't want to tell you about in case you buy up all the tickets before I get around to getting one. These Nightingales are giant GOAT's, I'm saying so.

DEAN WAREHAM
You Were The Ones I Had To Betray
(Carpark)

by Jonathan Thornton

Dean Wareham has reunited with Kramer for his forthcoming album That's The Price Of Loving Me. Teaser single 'You Were The Ones I Had To Betray' shows us that, if a full Galaxie 500 reunion remains deeply unlikely, the partnership of Wareham's beautifully understated songs and Kramer's lush yet delicate production is still producing magic. Wareham's voice is achingly sad, and the delicate wistful melody recalls his best, whilst Kramer rounds out the sound with chamber strings that sit on exactly the right side of tasteful. Beautiful and aching. All these years later, and no one else does slow and sad better. 

BURIED REALM
Where the Armless Phantoms Glide, Pt. II (feat. Björn Strid)
(Own label)

by Tim London

There are some things fascinating about modern metal. I have a particular interest in the funny clicking on the drum parts, like a Victorian clock on amphetamine. Are they hi hats? Rims? Very trebly toms? Syn drums? See, I just can’t figure it out and we’re already at the guitar solo. Then there’s the amount of seriousness involved. There’s obviously a lot of effort but does that all come with laughs and giggles? When the singer starts up with his Exorcist kid impression do they still laugh out loud? ‘Oh, you!’ Like old comedians still laughing at Bob Hope jokes. I promise to take any metal releases seriously in the future if the publicity includes string gauge and especially if the guitarist is using Bo Diddley piano wire thickness as opposed to, what I suspect, the thinnest single hairs from the elf-like tresses of Scott Gorham, stolen by a Thin Lizzy roadie in 1979 in Grand Rapids, Illinois.

LES BIG BYRD
Diamonds, Rhinestones and Hard Rain (Imarhan Rework)
(Chimp Limbs)

by Alan Rider

Getting Algerian Tuareg desert-rock quintet Imarhan to work up an acoustic version of the standout title track from the 2024 fourth album by Sweden's psych pioneers Les Big Byrd is a smart move.  Its a great song, so hard to fuck up, and Imarhan make a pretty decent fist of it here.  The original is still better, but that is usually the way with remixes and re-workings.  If this points a few more to the album and Les Big Byrd, then it will have been worth it.  Read an exclusive interview with Les Big Byrd for Outsideleft here.

ENDORSED

THE DELINES
The Haunting Thoughts/Left Hook like Frasier
(Self-released)

by Alex V. Cook

Amy Boone drags through a twilit ballad like a police diver does a lake, revealing once again that terrible things happen to the redeemable but, well, here we are. The Delines was formed out of the remnants of the world’s greatest band Richmond Fontaine and finds home for their understated horns and ashtray overflowing with jacked-up stories. The kind of misery that gives me hope.

MARSHALL ALLEN (WITH NENEH CHERRY)
New Dawn
(Mexican Summer / Week-End Records)

by David O'Byrne

Anyone managing to ton-up to 100 years on the planet deserves the right to a little rest and chill time. Alto sax maestro Marshall Allen somehow didn't get the message. Having hit 100 in May last year he's not only still leading  the Sun Ra Arkestra, the group he joined in 1958, he's still touring with them too. On February 14 he releases 'New Dawn' - not just a new album, but the first he's ever put out as a solo artist, under his own name. Ahead of that we have the title track featuring Neneh Cherry on vocals. Apparently a tribute to Allen himself it's a slow, smooth, smoochy plate of romantic late night jazz, with Allen's sax floating on a wash of strings. And as such, as with a surprising amount of Sun Ra's output it harkens back to a period before the wild jazz experiments of the 60s and 70s when melody was king. What else can we say other than anyone hitting the big C also deserves a little respect. And indeed, anyone managing to still release music - never mind embarking on a solo career, at that age deserves all the respect they can get. 

RED CLAY STRAYS
Wanna Be Loved
(RCA)

by LamontPaul

There's a certain soulfulness in a voice that enables the whole band to get away with shoehorning every very familiar twist into a song. Brandon's got that and although we'll probably never see him in Outsideleft again... He has the voice that means in his future the stature of Hootie, Matchbox 20, Dave Matthews all that stuff beckons. I can't remember all of the kings of the obvious obviousness. But there you go, all the very same. Here, I enjoy his god fearing Southern Gentleman style. Make this type of music and with a lot of luck and a good looking guy outfront and you may not need  a day job. It could be years before you wind  up on one of the televised tv pawn shop shows with what you thought was your vintage Les Paul. Perfect for weddings where the bride and groom aren't listening too closely to the lyrics. And so on. There's a production line for it. As there is between my ears for words that tumble out here. What is the greater excercise in futility? No one says "Thank y'all," quite like Brandon. "During covid I was in a bad place and my brother called and I said, I'm okay, God's Got Me." King of the banalities. 

SALAMI ROSE JOE LOUIS
Arm fell asleep
(Brainfeeder)

by Alex V. Cook

Perfect title for the vibe of this song: disconnected, too relaxed, curious in sensation, burns a little, can’t use it, let me just wave it around a bit and see if it…, there it goes, still not sure if I can use it, how does this even happen? Did part of me go out of phase with this universe for a second?, weird, I’m OK now.

RAFIQ BHATIA & CHRIS PATTISHALL
The Voice of Love
(Anti-)

by Alan Rider

With the passing of David Lynch, it is only to be expected that his undoubted influence on thousands of musicians and acts will result in any number of tribute tracks, or 'inspired by..' albums, but avant-garde American composer Rafiq Bhatia and pianist Chris Pattishall must have sensed what was coming, as they had already recorded this haunting version of the piece written by Angelo Badalamenti for the film ‘Twin Peaks - Fire Walk With Me’ as the closing track on their upcoming 'Each Dream, A Melting Door' EP of atmospheric piano based tracks evoking states of mind and shades of nature.  The loss of creative genius Lynch lends this an extra poignancy, not that this needed it.

PATCHWORK
The Vulture
(self)

by Ancient Champion

This is uncompromising. I can tell at extremely low volume and I daren't even turn that up because it is competing with Stephen Mangan's latest Landscape Artist of the Year across the room. It's round one of the Landscape challenge. I can tell you who paints a more vivid picture. I wish Patchwork had their own TV show. It would doubtless be way more entertaining. Why don't they? This is the kind of headbanging, doing the damage even self -harm music I like. They mean it man.

LONNIE HOLLEY
Protest With Love
(Jagjaguwar)

by Lee Paul

On Protest With Love, Lonnie gets a meandering funk groove going. A little bit electric. From a new LP Tonky (Jagjaguwar, March 31st). It's tough to protest with love when all around are just consumed with hate. When they are winning. Imagine what they might do if they were losing? No, I don't have to either, I've seen that movie already. 

HELEN MCCOOKERYBOOK
Three Cheers For Toytown
(Tiny Global)

by A.I. House-Painter

Taken from Helen McCookerybook's new LP 'Showtunes from the Shadows' which provides an eloquent, as titles go, map and set of directions to the extramundane encounter ahead. The temptation is of course to consider as a signifier that this is idiosynctratic music which also sort of might suggest whimsy. Whimsy is for Terry Edwards on the horns! I dare you to tell him that. I am not checking, but imagine idiosyncratic has been used a lot as an attempt to define Helen who began began almost way back when, with The Chefs. This opening track from the LP, 'Three Cheers For Toytown' would easily see her slot in to the 'special musical friend' section of Yo Gabba Gabba, maybe that campaign can start here? Toytown in Leamington Spa holds a special place in my heart. After all Toytown was a place where I never had to consider the cost of whatever I wanted. I think Tiny Global puts out of these records by the types of artists who have never stopped looking and seeing and Helen McCookerybook is among the best of them. There's a touch of the Lorrie Moore's about her writing, cheerleader cheery and bleary eyed altogether at once. (Read Terrific Mother if you haven't already.)  In addition to Terry Edwards the record also features The Raincoats' Gina Birch, Winston Blissett of Massive Attack, Robert Rotifer, The Monochrome Set's Lester Square, James McCallum from The Chefs / Skat and Jack Hayter possibly more. There's stop on her spring tour at the beautiful rocknroll brewery in Birmingham, April 3rd, and you can just tell from this song what a great night it is going to be.

RUSTY WILLIAMS
Knocking (At Your Door)
(Congrats Records)

by Richard John Walker

From 'Grand Man', the debut LP from 78-year-old Rusty Williams. His dreams of entering the music business thwarted by bad luck, the chances came ... and went. Or so he thought. 50 years on: an LP out on Valentine’s Day! Who can't warm to this? And all thanks to a Rock Star Granddaughter. That Williams Family reach all generations. Rusty, a charmer, knocks (at your door) while the kids listen to Paramour. Perfect for lovers of big A&M Herb, Bert Bach, and Frankie Av. Beware: the song brought ‘Beauty School Dropout’ to mind'. FIne by me!

THE SURE FIRE ENSEMBLE
Las Olas
(Colemine)

by LamontPaul

Oh wow! This is what you get when you get an instrumental nine-piece heavy funk soul band together and deposit them in the sunshine of San Diego. This is a delight, right. Gorgeous floaty flute flirting with the oh so smooth saxophone. Rooms for another wow too, for the drums and percussion. Dream band.

MICHAEL HEARST
Sweethaven (feat the Huffbunnies)
(His own?)

by Tim London

Now either this is so heavily ironic that it is marching itself straight into a Texas concentration camp for ironic hipsters wearing Hawaiian shirts or it is a genuinely loving cover of a song (written by Van Dyke Parks and Harry Nilson for the 1980s Robin Williams vehicle Popeye movie) which, in its simple summing up of the ‘simpler times of the 1980s’ (a quote from the press release) seems to be a hymnal to the decade when a hammy, geriatric Hollywood B movie actor became president. As opposed to the next 4 years (longer? Much longer?) when a stupid dumbfuck orange TV celebrity rapist is prez. Either way I think the time for cultural irony in American politics must be over by now.

PIGS PIGS PIGS PIGS PIGS PIGS PIGS
Stitches
(Rocket Recordings)

by Alan Rider

Gosh, that's an annoying band name.  Even the band themselves just say "Pigs x 7".   I guess they think it will be memorable that way.  What does it really mean though?  Answers on a postcard (if you can even remember what a postcard is). 'Stiches' is a lolloping Glam Rock-y fun romp that is a cut and paste stitch up of riffs you have heard elsewhere many times, recycled here once again for your pleasure.  'Riff Merchants' they describe themselves as in their PR.  That, they are. Buy one, get half a dozen bonus riffs absolutely free!

PANDA BEAR & CINDY LEE
Defense
(Domino)

by Alex V. Cook

These two overdoers are medically deficient in knowing where to to stop but they cancel each other out just right in this elegant little one-beat wonder. Hits me similar to Godley & Creme’s “Cry” for all the aforementioned reasons.

ENDORSED

THE JESUS LIZARD
Westside
(Ipecac Recordings)

by Jonathan Thornton

The difference between the Jonathan who reviewed the Jesus Lizard's last standalone single for OUTSIDELEFT and this one is that I have since had my brains melted by the wondrous spectacle of the Jesus Lizard live. As new album Rack and previous standalone single 'Cost Of Living' testify, the band show no signs of mellowing in their old age. 'Westside' is, claims the band, obliquely inspired by Leonard Bernsein's West Side Story and the passing of the great David Lynch. Well it may be. Either way it's another glorious, primal and vicious slice of noise rock from the greatest to ever do it. Bloody marvellous. 

long plays.

VARIOUS ARTISTS
I'm Not A Fucking Metronome
(Lucy Philips Arts Fund )

by Tim London

If punk was partly/mostly about hearing our own voices and seeing our own faces in culture then this album is truly, gloriously punk. To the extent that this review is, take a listen, see if you can hear yourself and, if so, buy it from Bandcamp to, you know, keep things moving.  Ten out of ten. Oh, OK, let’s talk about teeth, then. Straight, white teeth. Unnaturally white. I read the other day that celeb’s are now going after slightly less white looks for their teeth. So you can still tell the plebs by their enamel stripped, white teeth, which, when they can no longer afford the dentist are going to rot faster than a Tesco’s banana.  I’m Not A Fucking Metronome is the antidote to veneers for dumb asses.

JOHN SURMAN
Flashpoints and Undercurrents
(Cuneiform records)

by David O'Byrne

Best known through his 45+ year collaboration with German avant-garde jazz label ECM, John Surman is also arguably UK's greatest living sax player. Having recently celebrated his 80th birthday, there is understandable interest celebrating this landmark by in delving into his predictably large archive of unreleased material. Which is where Cuneiform records come in with this double CD set from 1969. Recorded as a live in studio performance in Hamburg, Flashpoints and Undercurrents finds Surman leading a ten piece band ( known as a dectet - we checked..) featuring top UK Jazz sidemen - including legendary club owner Ronnie Scott, and two Austrians. The sound quality is excellent, and as such it's a valuable record of the period when Surman had just completed his second album as band leader, 'How Many Clouds Can You See' and was looking for new musical avenues to explore. A quest which in the following decade would see him venture into more experimental territory incorporating synthesisers and other non-standard jazz instruments to his repertoire. Perhaps understandably given the size and nature of this ensemble the overall the feel of the 13 pieces presented here - many of them not previously recorded, is quite English. Tracks on which the heavy brass of the four sax, two trombones and trumpet are dominant, being somewhat redolent of film and TV incidental music of the period. That said, there are plenty of indications that it was a format Surman was ready to break free from, with the arrangements working better with fewer instruments simultaneously in play. More reflective pieces such as Gratuliere and Undercurrents are enlivened with rippling solos that stretch the sound far beyond the limits of the larger more traditional band format. More interestingly still, there are altogether wilder forays on numbers such as Mayflower, Background, Aqua Regis and Flashpoint, reminiscent of the sixties' experiments of John Coltrane and Ornette Coleman. And successfully so. Indications of where Surman was heading, and of the more ground breaking and adventurous material to come.  John Surman - 'Flashpoints and Undercurrents' is released on January 31st. 

WENDY JAMES
The Shape of History
(The Wendy James Label)

by Alan Rider

Wendy James has always had a high opinion of herself and has never been afraid to exploit her sex appeal for all its worth, like a low rent Debbie Harry.  Casting her clothes aside for the camera at the drop of a hat, twerking, pouting, thrusting every curvy bit of herself at the audience, what sold Transvision Vamp was the ridiculous fantasy of having sex with a compliant and eager Wendy, not the music.  Like a singing Page 3 girl, she wrung every last drop out of that.  Has she matured and moved on?  Not really.  Every new video is stuffed with archive footage of her flirting with salivating middle aged interviewers and rolling around semi naked whilst singing.  She may be going for a cartoon Mrs Mopp look these days, but in her head she is still a sex kitten willing to do anything, ANYTHING, to grasp the fickle flame of fame before it snuffs out.  It has snuffed out for her of course, as she is no longer 18 and a bedroom wall pin up, but that's the risk you take when you hang everything on your looks and the roundness of your bottom rather than your music.

so, have you got anything else.

THE SELECTER
Too Much Pressure
(Two Tone)

by Lee Paul

The Selecter of course. Still sound great after all of this time. This was one of the hits back when they were changing the world with 2-Tone. This Sunday, Alan Rider talks to singer Pauline Black about the forces that would seek to change it back again. Charley 'Aitch' Bembridge is back with the band. I saw him just the other day in Coventry playing percussion in Jackdaw with Crowbar. Nice. 

ENDORSED PENNY AND THE QUARTERS
You and Me
(Youtube)

by LamontPaul

This was lost forever, before it was found. In the early 70s, a bunch of Columbus teenagers snuck into studio to commit this to tape and  someone scratched 'demo' on the box and stuck it on a shelf, Mircalously no one took it down from the shelf to tape over it. There You and Me sat there until after the studio owner passed away. In 2010, Wrexham FC part owner and movie star, Ryan Gosling heard it and got it into the Blue Valentine movie. It is so pure and beautiful. Like imagine if you could hear a Jacksons demo when they were kids, without all of the rankling baggage you've bestowed on them. There must be so many recordings a little like this all over America. In garage studios, on computers that won't boot up. You and Me is a little doo-woppy, classical vocal soul, you can imagine the future sequinned suits and choregraphed fancy footwork from Penny's three backing vocal brothers. That that didn't happen somehow makes this more magical. What joy.

INGRID LAUBROCK
Koan 13
(Pyroclastic Records)

by Richard John Walker

In which Fay Victor voices 'Catch / the ball / and now, I throw it' before adding sultry 'mmm-hmm-hmm-hmm's over Mariel Roberts’s jarring, but controlled, cello. Koan 13 is one of 60 two- or three-line fragments used on Laubrock's forthcoming Purposing The Air.  They're all from Erica Hunt’s poem, Mood Librarian, and, if Koan 13 is anything to go by, work well. Victor's sing-speak style leaves us in anticipation: poised to spring into song, she holds back. Vocal duties on the LP are shared with, amongst others, Sara Serpa - whose recent LP was reviewed here.

ENDORSED AMY 'BINGO' BINGAMAN
Where To Put The Flowers
(Verbigerative Nonsense)

by Ogglypoogly

Sometimes, there'll be a song that imprints upon the listener so deeply, that even after almost a decade it holds onto it's haltingly beautiful impact, suspending you for it's duration from the strings of some greater puppet master. Where To Put The Flowers is absolutely one of those songs. Written and performed by Amy 'Bingo' Bingaman, this is one of those rare instances where a songwriter manages to capture and convey without ambiguity their own vulnerable state. Somewhere between the lyrics and the hypnotic piano accompaniment, this song reaches a greatness that far outshines it's simplicity.

ROY ORBISON
In Dreams
(Youtube)

by LamontPaul

When Blue Velvet came out, I was living in London, I must have had time on my hands, I often did back in those Rutland Park Mansions days. I went to the first screening of Blue Velvet I could get to, around 11 o'clock in the morning as I recall, maybe off Leicster Square? But that would be asking too much of my memory. I didn't go to many films by myself back then. Now I do everything alone. Anyway. I fidget. I am a fidgeter. I don't sit still. I take most of my 10,000 steps while I am sleeping. Years later I can still recall the weirdness of not really fidgeting throughout the entire movie. But by the end of the two hour running time, I'd slid to the front edge of my seat, and my mouth was dry. 

ISATA KANNEH-MASON
Tiny Desk Concert
(NPR-Youtube)

by Ancient Champion

This is just joyously audacious isn't it?  The Tiny Desks are the greatest and this... This begins with the finale of  Chopin's Piano Sonata #3 and I'm looking at Isata Kanneh-Mason's fingers at around 1.34 and wondering what the fuck is happening there? OMG. Then she says she always returns to Chopin because that's where she began as a child. Ha! Do yuo have to mke it sound so easy? I think we're going to see Chopin's head in the Père-Lachaise cemetery in Paris v.soon. That is easy. His heart is like a relic from the bones of a saint in Poland. No ordinary saint either. I'm sitting with listening with designer/weaver, Walker, who plays piano pretty well and when Isata introduces a piece by Liszt, Walker says,"A contemporary of Chopin, yes, but a rock star, with massive hands making it difficult for anyone else to play his compositions!" Finally, "Growing up, I never really saw any Black composers within the classical music field," Isata Kanneh-Mason explains her excitement at discovering Samuel Coleridge-Taylor before playing the piano arrangement of the spiritual, “Sometimes I Feel Like a Motherless Child”. Oh wow. I'm not going to mention her brother who I saw doing a version of Big Thief's UFOF in Digbeth last year, or the massive fun of the 'Sound of Music' doc, probably on the iPlayer where where the Kenneh-Mason kids, Britain's most musical family, went all Von Trapp for us. 

THUNDERCAT
Orange Cat (from Yo Gabba Gabba)
(Youtube)

by Ancient Champion

Thundercat playing outside in Yo Gabba Gabba Land. 

GO-KART MOZART
Wendy James
(Cherry Red Records)

by Richard John Walker

Alan Rider summed it up about Wendy James, which moved me to play Go-Kart Mozart’s ‘tribute’ from 1999. Her backing band stole Stones piano, like many did and do, but Wendy didn’t care. She wouldn't have been bothered at Lawrence seeing her as ‘second to the very great Joan Jett’. A great pop line and an insight into another Lawrentian List - one which Wendy scores high in. (He should record an LP titled Lawrence’s Lists. Lawrence Plays Liszt would be better though). 

ENDORSED SMOTE
Banhus
(Rocket Recordings)

by Alan Rider

From the Smote album 'Genog', 'Banhus' is a wonderful 10 minute workout that ebbs, flows and washes over you in waves, crescendos, even. Its impressive. Very impressive. They're on Bandcamp, here

essential information

Main image, NIghtingales (instagram screen grab)
Previous Week in Music 'Stacked Up High' is here

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