Fuck global warming. Fuck Ken Livingstone and his congestion charge. Fuck the tubes and the buses. I have a car and I am going to use it. Endlessly. Mile after mile.
Nothing beats that bumper to bumper grind through the grime of north west London. Half a mile in thirty minutes? I'll take it. As long as I am moving.deathly.slowly.edging forward.
I once wrote a story where the protagonist was a salesman obsessed by self-help tapes and encounter groups. He drove a lot of miles and he'd make tapes of the applause from live albums edited together into 45 minute ovations that he'd play in his car just to make himself feel good. Something bad happened to him in the end. But that was the way it used to be with my characters.
When I'm driving I love to play soundtrack albums. Nino Rota tipping 50 past the Ace Caf?© on the North Circular; an Angelo Badalamenti lush rush past the rain defying high hair of the Temple Fortune Jewesses; Yann Tiersen turning the rat-runs of Kilburn into cobbled Parisian streets.
This week I've been playing the Nick Cave and Warren Ellis soundtrack to Cave's parched western "The Proposition". It's short, bleak and quite beautiful. I haven't seen the film so, for now, the visuals have been solely provided by the freezing cold, spittle spattered streets of Willesden. When Cave and Ellis conjured up the melancholic Queenie's Suite I doubt they were envisaging a man vomiting over the vegetables outside a corner shop and I really doubt that Happy Land was intended to accompany a synchronised pissing session by barely vertical drunks leaning against the wall of the Spotted Dog but, you know what? It works.
Now I'm worried about going to see the film. It might ruin the soundtrack for me. And worse than that there might not be anywhere to park.
The Proposition: Original Soundtrack - Nick Cave and Warren Ellis is available now on Mute
Kirk Lake is a writer, musician and filmmaker. His published books include Mickey The Mimic (2015) and The Last Night of the Leamington Licker (2018). His films include the feature films Piercing Brightness (2014) and The World We Knew (2020) and a number of award winning shorts.
dec 1st Steven T Hanley ⇒
dec 2nd Anthony Reynolds ⇒
dec 3rd Monde UFO ⇒
dec 4th Iain Forsyth & Jane Pollard ⇒
dec 5th Alison Cotton ⇒
dec 6th Momus ⇒
dec 7th Stephen Coates ⇒
dec 8th Songe Riddle ⇒
dec 9th K Pontuti ⇒
dec 10th Maya Kuroki
dec 11th Robert Wringham
dec 12th RM Francis
dec 13th Cara Tivey
dec 14th Kurt Uenala
dec 15th Jacqui
dec 16th Pauline
dec 17th Dan Scrivener
dec 18th Mark Neeley
dec 19th Brian Harnetty
dec 20th Prehistoric Man .|. Badlands
dec 21st Christina and Rex .|. Kids Return
dec 22nd Lisa Blower .|. mmeadows
dec 23rd Dave Twist .|. Gemma Moore
dec 24th Heather & Theo .|. Hoogenboom
dec 25th - jan5 Tav Falco's 12 Days of Xmas
Outsideleft exists on a precarious no budget budget. We are interested in hearing from deep and deeper pocket types willing to underwrite our cultural vulture activity. We're not so interested in plastering your product all over our stories, but something more subtle and dignified for all parties concerned. Contact us and let's talk. [HELP OUTSIDELEFT]
If Outsideleft had arms they would always be wide open and welcoming to new writers and new ideas. If you've got something to say, something a small dank corner of the world needs to know about, a poem to publish, a book review, a short story, if you love music or the arts or anything else, write something about it and send it along. Of course we don't have anything as conformist as a budget here. But we'd love to see what you can do. Write for Outsideleft, do. [SUBMISSIONS FORM HERE]